Suprematism and non-objective art are the core arguments in Kazimir Malevich’s essays and manifestos. Essays and manifestos including From Cubism and Futurism to Suprematism argue for an art freed from representation and organised around basic geometric forms, colour and what Malevich called pure feeling. The Non-Objective World, published from his later theoretical work, expands those ideas into a broader account of artistic development and non-objective form. His prose can be dense, visionary and polemical, reflecting both Russian avant-garde debates and his own changing terminology. Modern editions often add illustrations and editorial notes that are essential for following the argument. His writings fit Russian avant-garde studies, Suprematism, modern art theory and artists’ manifestos. Read more Less
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